Unit Learning Objectives

After completing this module, you will be able to:

  1. Classify the 3 Greek Orders of Architecture
  2. Identify Greek furnishings-pottery
  3. Analyze Greek motifs

Tasks to Complete in this Module

  1. Textbook reading – Chapter 5
  2. Read through notes
  3. Review slide deck and watch all embedded videos
  4. Create a slide deck with photos and definitions of unit glossary terms

Architecture and Interior Design: An Integrated History to the Present

First Edition

Chapter 5

Greece 1000 – 146 B.C.E.; Golden Age in the 5th Century

Copyright © 2012 Pearson Education, Inc. All Rights Reserved

Copyright © 2012 Pearson Education, Inc. All Rights Reserved

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Greece

Greek sources of design inspiration: art, architecture, literature, philosophy, music

Language & grammar in architecture, interiors, furniture, decorative arts

Copied by successive generations

Greek (and Roman) elements & forms dominate Western architecture & furnishings until 20th century

No other culture (except Rome) has had more impact on Western architecture, interiors, furniture, decorative arts

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2

Concepts

Search for ideal, perfect proportions, distribution of forms & parts

Attributes that contribute to & enhance ideal image

Classical period (5th century B.C.E.) a golden age

Model for classical language of form, order, proportion in architecture, interiors

Form: temple most common

Order: relationship of parts to whole, articulation of parts

Proportion: relates to human body

“Man the measure of all things,” Protagoras (c. 480-410 B.C.E)

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3

Characteristics and Motifs

Archaic (c. 600 – 475 B.C.E): origin of monumental stone architecture

Ionic and Doric orders, common forms & vocabulary

Classical (c. 475 – 323 B.C.E.): search for perfection culminates in Doric temples

Corinthian order; fully developed architectural vocabulary

Few innovations, mostly evolutions

Hellenistic (323 – 30 B.C.E.): deviations from classical forms & proportions

New building types, variations of capitals, more ornament

Motifs: acanthus, anthemion, palmette, wave, honeysuckle, rosette, rinceau, fret or key, guilloche, dentil, egg & dart, griffin, sphinx, chimera

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4

5.2

Motifs and Architectural Details: Top left: Acanthus plant, anthemion, palmette and egg and dart; Top right: fret, wave, guilloche, antifix. Greece.

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Architecture

Formal, refined, human proportions, monumental scale, symmetry, ordered spatial arrangements

Structural members create building form

Logical, rational; reflect natural harmony

Articulated parts relate to each other & whole

Repose, horizontality, symmetry, stability, clarity

Proportional systems, numerical relationships, geometry

Forms repeated, planned transitions

Optical refinements

Classical: elements & attributes of Greek & Roman architecture

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6

5.3

Doric order. Greece.

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7

5.4

Ionic order and architectural details with color applied. Greece.

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Long Description:

The ionic order is divided into entablature on the top, and column at the bottom. The entablature has Cornice, Frieze, Architrave, and capital. The cornice has cymatium, cyma reversa, corona, ovolo, dentils, and cyma reversa. The architrave has fillet, cyma reversa, upper fascia, and lower fascia. The capital has an abacus, echinus, and volute. The column has a base and a shaft. The base has a torus and plinth. The ionic order is on the stylobate.

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5.5

Corinthian order. Greece.

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5.6

Architectural moldings: (a) fillet; (b) scotia; (c) cyma recta; (d) cavetto; (e) bead; (f) torus; (g) ovolo or egg and dart; (h) cyma reversa; (i) hawk’s beak. Greece.

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Long Description 1:

The fillet has a horizontal rectangle bar with a right-angle turn. (b) The scotia has a rectangular surface with a concave end on the right. (c) The cyma recta have a concave upper part and a convex lower part. (d) The cavetto is a concave molding with a quarter circle or quarter ellipse. (e) The repetitive beads have alternative arrangements of oval-shaped beads and circular rings.

Long Description 2:

(f) The torus is a large molding of convex profile as the lowest molding in the base of a column. (g) The ovolo or egg and dart have a fundamental quarter-round, convex ovolo profile of alternating details on the face of the ovolo. (h) The cyma reversa has a convex upper section and a concave lower section. (i) Hawk’s beak: The design on the right end resembles a hawk’s beak.

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5.7

Acropolis and site plan (reconstructed view); 5th century B.C.E., Athens, Greece.

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Long Description:

It depicts the elevation of the acropolis and has Nite temple, propylaea, Statue of Athena promachos, the sanctuary of Artemis Brauronia, Chalcotheca, the precinct of terrace walls, and Mycenean fortification. Two scales are indicated; one ranges from 0 to 40 to 80 meters and the other ranges from 0 to 60 to 300 feet.

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5.8a

Parthenon, 448-432 B.C.E.; Ictinus and Callicrates; Acropolis, Athens, Greece.

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Long Description:

The Parthenon has an antefix on the top side wall. The pediment is on the front top face. The cornice, frieze, and architrave are sequenced from top to the bottom. The series of numerous doric columns support the portico. The stylobate is under the columns. The peristyle is on the side.

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5.8b

Parthenon cutaway view and naos, 448-432 B.C.E.; Ictinus and Callicrates; Acropolis, Athens, Greece.

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5.8c

Temple of Athena Nike (reconstructed view), c. 424 B.C.E., Callicrates; Acropolis, Athens, Greece.

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5.8d

Porch of the Maidens, Erectheion, c. 406 B.C.E.; Acropolis, Athens, Greece.

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5.9

Choragic Monument of Lysicrates, c. 334 B.C.E; Athens, Greece.

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5.10

Model of an ancient Greek farmhouse and floor plan, house c. 4th century; Priene, present-day Turkey. Greece.

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Interiors

Public interiors connect to architecture

Architectural elements (columns), proportions, materials, colors

Few surviving interiors

Especially residences

Information: archaeology, literature, vase paintings, reliefs, statuettes

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5.12

Lighting: Candelabra. Greece.

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Furnishings And Decorative Arts

Little survives

Examples from vase paintings, grave steles, terra-cotta reliefs, sculpture, theaters

Function important, limited ornament

Some evidence of search for perfection in some pieces

Rooms sparsely furnished

Few types: seating, tables, storage, beds

Greek innovations: klismos, rectangular legs, some table forms, couches for sleeping or reclining at meals

Klismos most often copied or adapted later

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5.13

Klismos from a vase painting and the Grave Stele of Hegeso, end of 5th century B.C.E. Greece.

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5.14

Stools. Greece.

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5.15

Couches with rectangular legs, tables and throne with turned legs. Greece.

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5.16

Decorative Arts: Red-figured pelike vase showing couches and tables and Greek vases: (a) amphora (storing wine); (b) hydria (water jar); (c) amphora; (d) kantharos (drinking cup); (e) kylix (mixing wine and water); (f) bell krater (vessel for mixing; (g) volute krater. Greece.

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Long Description:

(a) The amphora has a narrow bottom and handles on the neck. (b) The hydria has a wide body, a nozzle on the neck with holding sticks on the body. (c) The Kantharos has a tapered bottom and handles connect with the mouth and the body. (d) has two raised handles above the mouth, and hipped bottom. (e) The Kylix has a flat circular body with a hipped leg and holding sticks on the left and the right body. (f) The bell krater has flipped mouth, human paintings on the body, holding sticks, and hipped bottom. (g) The volute krater has raised handles on the left and the right above the mouth, the handles have human faces.

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Copyright

This work is protected by United States copyright laws and is provided solely for the use of instructors in teaching their courses and assessing student learning. Dissemination or sale of any part of this work (including on the World Wide Web) will destroy the integrity of the work and is not permitted. The work and materials from it should never be made available to students except by instructors using the accompanying text in their classes. All recipients of this work are expected to abide by these restrictions and to honor the intended pedagogical purposes and the needs of other instructors who rely on these materials.

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,

The Minoans and Mycenaeans: Civilizations of the Bronze Age Aegean

https://www.youtube.com/watch?v=criZ8DDhu6g

Greece

Greek architecture and art: searching for perfection in proportion of forms and parts while creating the ideal image

Focus on Greece: 4 periods

Geometric or Orientalizing Period: (c. 100-650 B.C.E.) Little survives from this early period. Mud-brick temples and tombs ae chief architectural forms. Vases are the dominant surviving at form.

Archaic (c. 660-475 B.C.E.). Monumental stone architecture and sculpture originate in the 7th century B.C.E. The architectural form and vocabulary that characterize Greek buildings evolve throughout this period. The Doric and lonic orders originate, and builders search for perfection in the proportion and distribution of parts.

Classical (c. 475-323 B.C.E.). The search for perfection culminates in the great Doric temples of the Classical period, particularly the Temple of Aphaia in Aegina and the Parthenon in Athens. Ionic temples are jewels of perfection also. The Corinthian order originates and is used only for interiors. The architectural vocabulary is fully developed, and no new innovations, only variations, are introduced. During the 4th century B.C.E, builders begin to deviate from classical forms and proportions.

Hellenistic (323-30 B.C.E.). Greek society becomes more sophisticated, and new building types appear in response. Architecture becomes more subjective, deviating even more from the Classical period architectural language. New variations of capitals appear, and proportions vary even more. Ornament become more important.

The Greek Temple

Golden Section-Golden Mean-Golden Ratio:

The Golden Ratio: Myth or Math?

Characteristics of Greek Agriculture

This Photo by Unknown Author is licensed under CC BY-SA-NC

Doric Order

Entasis

Greek Orders of Architecture: Doric, Ionic and Corinthian

DORIC Capital

This Photo by Unknown Author is licensed under CC BY-SA-NC

IONIC Capital

CORINTHIAN Capital

Pediment

a triangular space that forms the gable of a low-pitched roof and that is usually filled with relief sculpture in classical architecture

Entablature

https://www.lynn-byrne.com/posts/design-dictionary-entablature

13

Cornice: The cornice is a decorative architecture element. Which can be seen on the top of a wall near a roof or ceiling. Cornice concept was derived from Greek architecture, where it was the top part of the entablature, the horizontal part above the column and below the roof.

Frieze: Greco-Roman Classical architecture, the middle of the three main divisions of an entablature (section resting on the capital). The frieze is above the architrave and below the cornice 

Metope – a square space between triglyphs in a

Doric frieze.

Triglyphs – a tablet in a Doric frieze with three

vertical grooves. They alternate with metopes.

4 Incredibly Well Preserved Ancient Greek Buildings

4 Incredibly Well Preserved Ancient Greek Buildings

https://www.youtube.com/watch?v=6jxdXSxW62Q

Anthemion: an ornamental design of alternating motifs resembling clusters of narrow leaves or honeysuckle petals.

Notice the Guilloche pattern carried over from the Egyptians and stylized .

Common Greek Motifs

https://www.youtube.com/watch?v=niaP2sLbTdA

Beautiful 2,200 year old mosaics discovered in ancient Greek city

https://www.youtube.com/watch?v=ZApgcXAd0tY

Entablature with Egg & Dart Motif

Egg-and-dart is a repetitive design that today is most often found on molding (e.g., crown molding) or trim. The pattern is characterized by a repetition of oval shapes, like an egg split lengthwise, with various non-curved patterns, like "darts," repeated between the egg pattern

https://www.thoughtco.com/what-is-egg-and-dart-design-177272#:~:text=Egg%2Dand%2Ddart%20is%20a,repeated%20between%20the%20egg%20pattern.

Greek Key (Fret) motif: interlaced lines forming an unending pattern

Rinceau pattern- an ornamental motif consisting essentially of a sinuous and branching scroll elaborated with leaves and other natural forms (as derived from the acanthus)

Vitruvian Scroll/Running Dog/Wave Scroll: A common motif in classical ornament: a series of scrolls connected by a wave-like band

Dentils: (in classical architecture) one of a number of small, rectangular blocks resembling teeth and used as a decoration under the soffit of a cornice.

Tholos of Delphi: The sanctuary of Athena Pronaia, and the Tholos. The tholos is a circular building which was created between 380 and 360 BC at the center of the sanctuary of Athena Pronaia. It is constructed with 20 Doric columns on its exterior diameter which measures 14.76m. The building stands 13.5 meters tall at the center of the Athena Pronaia sanctuary, and its interior columns were of the Corinthian order.

Caryatid: a stone carving of a draped female figure, used as a pillar/column to support the entablature of a Greek or Greek-style building.

https://smarthistory.org/caryatid-and-ionic-column-from-the-erechtheion/ CLICK ON LINK

Ionic column from the Erechtheion. Notice the

Fluting on the column.

Fluting: a groove or set of grooves forming a surface

decoration.

Greek Furnishings

This Photo by Unknown Author is licensed under CC BY-SA

Klismos chair: An ancient form of chair that remains popular today.  The Ancient Greeks first developed the chair as evidenced by  pottery and stone from that period.   It is characterized by tapering, out- curved legs, known as saber legs, and a curved back.  

https://www.peacocksfinest.com/single-post/the-timeless-beauty-of-klismos-chair CLICK TO WATCH

https://www.lynn-byrne.com/posts/design-dictionary-klismos-chair

CLICK TO WATCH

I adore this chair. It is a timeless

piece and can easily take its place in any home décor.

Janet

Kline with table

Greek Furniture

Greek Pottery

https://www.youtube.com/watch?v=7lWyqbYITQw

Ancient Greek Pottery: History, Development and Designs

This Photo by Unknown Author is licensed under CC BY-NC-ND

Principle Greek Moldings

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