Unit Learning Objectives
After completing this module, you will be able to:
- Classify the 3 Greek Orders of Architecture
- Identify Greek furnishings-pottery
- Analyze Greek motifs
Tasks to Complete in this Module
- Textbook reading – Chapter 5
- Read through notes
- Review slide deck and watch all embedded videos
- Create a slide deck with photos and definitions of unit glossary terms
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ch-05-PPTaccessible.pptx
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IDES310Greeceppt23.pptx
Architecture and Interior Design: An Integrated History to the Present
First Edition
Chapter 5
Greece 1000 – 146 B.C.E.; Golden Age in the 5th Century
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
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1
Greece
Greek sources of design inspiration: art, architecture, literature, philosophy, music
Language & grammar in architecture, interiors, furniture, decorative arts
Copied by successive generations
Greek (and Roman) elements & forms dominate Western architecture & furnishings until 20th century
No other culture (except Rome) has had more impact on Western architecture, interiors, furniture, decorative arts
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
2
Concepts
Search for ideal, perfect proportions, distribution of forms & parts
Attributes that contribute to & enhance ideal image
Classical period (5th century B.C.E.) a golden age
Model for classical language of form, order, proportion in architecture, interiors
Form: temple most common
Order: relationship of parts to whole, articulation of parts
Proportion: relates to human body
“Man the measure of all things,” Protagoras (c. 480-410 B.C.E)
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3
Characteristics and Motifs
Archaic (c. 600 – 475 B.C.E): origin of monumental stone architecture
Ionic and Doric orders, common forms & vocabulary
Classical (c. 475 – 323 B.C.E.): search for perfection culminates in Doric temples
Corinthian order; fully developed architectural vocabulary
Few innovations, mostly evolutions
Hellenistic (323 – 30 B.C.E.): deviations from classical forms & proportions
New building types, variations of capitals, more ornament
Motifs: acanthus, anthemion, palmette, wave, honeysuckle, rosette, rinceau, fret or key, guilloche, dentil, egg & dart, griffin, sphinx, chimera
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4
5.2
Motifs and Architectural Details: Top left: Acanthus plant, anthemion, palmette and egg and dart; Top right: fret, wave, guilloche, antifix. Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
Architecture
Formal, refined, human proportions, monumental scale, symmetry, ordered spatial arrangements
Structural members create building form
Logical, rational; reflect natural harmony
Articulated parts relate to each other & whole
Repose, horizontality, symmetry, stability, clarity
Proportional systems, numerical relationships, geometry
Forms repeated, planned transitions
Optical refinements
Classical: elements & attributes of Greek & Roman architecture
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6
5.3
Doric order. Greece.
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7
5.4
Ionic order and architectural details with color applied. Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
Long Description:
The ionic order is divided into entablature on the top, and column at the bottom. The entablature has Cornice, Frieze, Architrave, and capital. The cornice has cymatium, cyma reversa, corona, ovolo, dentils, and cyma reversa. The architrave has fillet, cyma reversa, upper fascia, and lower fascia. The capital has an abacus, echinus, and volute. The column has a base and a shaft. The base has a torus and plinth. The ionic order is on the stylobate.
8
5.5
Corinthian order. Greece.
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5.6
Architectural moldings: (a) fillet; (b) scotia; (c) cyma recta; (d) cavetto; (e) bead; (f) torus; (g) ovolo or egg and dart; (h) cyma reversa; (i) hawk’s beak. Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
Long Description 1:
The fillet has a horizontal rectangle bar with a right-angle turn. (b) The scotia has a rectangular surface with a concave end on the right. (c) The cyma recta have a concave upper part and a convex lower part. (d) The cavetto is a concave molding with a quarter circle or quarter ellipse. (e) The repetitive beads have alternative arrangements of oval-shaped beads and circular rings.
Long Description 2:
(f) The torus is a large molding of convex profile as the lowest molding in the base of a column. (g) The ovolo or egg and dart have a fundamental quarter-round, convex ovolo profile of alternating details on the face of the ovolo. (h) The cyma reversa has a convex upper section and a concave lower section. (i) Hawk’s beak: The design on the right end resembles a hawk’s beak.
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5.7
Acropolis and site plan (reconstructed view); 5th century B.C.E., Athens, Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
Long Description:
It depicts the elevation of the acropolis and has Nite temple, propylaea, Statue of Athena promachos, the sanctuary of Artemis Brauronia, Chalcotheca, the precinct of terrace walls, and Mycenean fortification. Two scales are indicated; one ranges from 0 to 40 to 80 meters and the other ranges from 0 to 60 to 300 feet.
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5.8a
Parthenon, 448-432 B.C.E.; Ictinus and Callicrates; Acropolis, Athens, Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
Long Description:
The Parthenon has an antefix on the top side wall. The pediment is on the front top face. The cornice, frieze, and architrave are sequenced from top to the bottom. The series of numerous doric columns support the portico. The stylobate is under the columns. The peristyle is on the side.
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5.8b
Parthenon cutaway view and naos, 448-432 B.C.E.; Ictinus and Callicrates; Acropolis, Athens, Greece.
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5.8c
Temple of Athena Nike (reconstructed view), c. 424 B.C.E., Callicrates; Acropolis, Athens, Greece.
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5.8d
Porch of the Maidens, Erectheion, c. 406 B.C.E.; Acropolis, Athens, Greece.
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5.9
Choragic Monument of Lysicrates, c. 334 B.C.E; Athens, Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
5.10
Model of an ancient Greek farmhouse and floor plan, house c. 4th century; Priene, present-day Turkey. Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
Interiors
Public interiors connect to architecture
Architectural elements (columns), proportions, materials, colors
Few surviving interiors
Especially residences
Information: archaeology, literature, vase paintings, reliefs, statuettes
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18
5.12
Lighting: Candelabra. Greece.
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Furnishings And Decorative Arts
Little survives
Examples from vase paintings, grave steles, terra-cotta reliefs, sculpture, theaters
Function important, limited ornament
Some evidence of search for perfection in some pieces
Rooms sparsely furnished
Few types: seating, tables, storage, beds
Greek innovations: klismos, rectangular legs, some table forms, couches for sleeping or reclining at meals
Klismos most often copied or adapted later
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
20
5.13
Klismos from a vase painting and the Grave Stele of Hegeso, end of 5th century B.C.E. Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
5.14
Stools. Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
5.15
Couches with rectangular legs, tables and throne with turned legs. Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
23
5.16
Decorative Arts: Red-figured pelike vase showing couches and tables and Greek vases: (a) amphora (storing wine); (b) hydria (water jar); (c) amphora; (d) kantharos (drinking cup); (e) kylix (mixing wine and water); (f) bell krater (vessel for mixing; (g) volute krater. Greece.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
Long Description:
(a) The amphora has a narrow bottom and handles on the neck. (b) The hydria has a wide body, a nozzle on the neck with holding sticks on the body. (c) The Kantharos has a tapered bottom and handles connect with the mouth and the body. (d) has two raised handles above the mouth, and hipped bottom. (e) The Kylix has a flat circular body with a hipped leg and holding sticks on the left and the right body. (f) The bell krater has flipped mouth, human paintings on the body, holding sticks, and hipped bottom. (g) The volute krater has raised handles on the left and the right above the mouth, the handles have human faces.
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Copyright
This work is protected by United States copyright laws and is provided solely for the use of instructors in teaching their courses and assessing student learning. Dissemination or sale of any part of this work (including on the World Wide Web) will destroy the integrity of the work and is not permitted. The work and materials from it should never be made available to students except by instructors using the accompanying text in their classes. All recipients of this work are expected to abide by these restrictions and to honor the intended pedagogical purposes and the needs of other instructors who rely on these materials.
Copyright © 2012 Pearson Education, Inc. All Rights Reserved
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The Minoans and Mycenaeans: Civilizations of the Bronze Age Aegean
https://www.youtube.com/watch?v=criZ8DDhu6g
Greece
Greek architecture and art: searching for perfection in proportion of forms and parts while creating the ideal image
Focus on Greece: 4 periods
Geometric or Orientalizing Period: (c. 100-650 B.C.E.) Little survives from this early period. Mud-brick temples and tombs ae chief architectural forms. Vases are the dominant surviving at form.
Archaic (c. 660-475 B.C.E.). Monumental stone architecture and sculpture originate in the 7th century B.C.E. The architectural form and vocabulary that characterize Greek buildings evolve throughout this period. The Doric and lonic orders originate, and builders search for perfection in the proportion and distribution of parts.
Classical (c. 475-323 B.C.E.). The search for perfection culminates in the great Doric temples of the Classical period, particularly the Temple of Aphaia in Aegina and the Parthenon in Athens. Ionic temples are jewels of perfection also. The Corinthian order originates and is used only for interiors. The architectural vocabulary is fully developed, and no new innovations, only variations, are introduced. During the 4th century B.C.E, builders begin to deviate from classical forms and proportions.
Hellenistic (323-30 B.C.E.). Greek society becomes more sophisticated, and new building types appear in response. Architecture becomes more subjective, deviating even more from the Classical period architectural language. New variations of capitals appear, and proportions vary even more. Ornament become more important.
The Greek Temple
Golden Section-Golden Mean-Golden Ratio:
The Golden Ratio: Myth or Math?
Characteristics of Greek Agriculture
This Photo by Unknown Author is licensed under CC BY-SA-NC
Doric Order
Entasis
Greek Orders of Architecture: Doric, Ionic and Corinthian
DORIC Capital
This Photo by Unknown Author is licensed under CC BY-SA-NC
IONIC Capital
CORINTHIAN Capital
Pediment
a triangular space that forms the gable of a low-pitched roof and that is usually filled with relief sculpture in classical architecture
Entablature
https://www.lynn-byrne.com/posts/design-dictionary-entablature
13
Cornice: The cornice is a decorative architecture element. Which can be seen on the top of a wall near a roof or ceiling. Cornice concept was derived from Greek architecture, where it was the top part of the entablature, the horizontal part above the column and below the roof.
Frieze: Greco-Roman Classical architecture, the middle of the three main divisions of an entablature (section resting on the capital). The frieze is above the architrave and below the cornice
Metope – a square space between triglyphs in a
Doric frieze.
Triglyphs – a tablet in a Doric frieze with three
vertical grooves. They alternate with metopes.
4 Incredibly Well Preserved Ancient Greek Buildings
4 Incredibly Well Preserved Ancient Greek Buildings
Anthemion: an ornamental design of alternating motifs resembling clusters of narrow leaves or honeysuckle petals.
Notice the Guilloche pattern carried over from the Egyptians and stylized .
Common Greek Motifs
https://www.youtube.com/watch?v=niaP2sLbTdA
Beautiful 2,200 year old mosaics discovered in ancient Greek city
Entablature with Egg & Dart Motif
Egg-and-dart is a repetitive design that today is most often found on molding (e.g., crown molding) or trim. The pattern is characterized by a repetition of oval shapes, like an egg split lengthwise, with various non-curved patterns, like "darts," repeated between the egg pattern
https://www.thoughtco.com/what-is-egg-and-dart-design-177272#:~:text=Egg%2Dand%2Ddart%20is%20a,repeated%20between%20the%20egg%20pattern.
Greek Key (Fret) motif: interlaced lines forming an unending pattern
Rinceau pattern- an ornamental motif consisting essentially of a sinuous and branching scroll elaborated with leaves and other natural forms (as derived from the acanthus)
Vitruvian Scroll/Running Dog/Wave Scroll: A common motif in classical ornament: a series of scrolls connected by a wave-like band
Dentils: (in classical architecture) one of a number of small, rectangular blocks resembling teeth and used as a decoration under the soffit of a cornice.
Tholos of Delphi: The sanctuary of Athena Pronaia, and the Tholos. The tholos is a circular building which was created between 380 and 360 BC at the center of the sanctuary of Athena Pronaia. It is constructed with 20 Doric columns on its exterior diameter which measures 14.76m. The building stands 13.5 meters tall at the center of the Athena Pronaia sanctuary, and its interior columns were of the Corinthian order.
Caryatid: a stone carving of a draped female figure, used as a pillar/column to support the entablature of a Greek or Greek-style building.
https://smarthistory.org/caryatid-and-ionic-column-from-the-erechtheion/ CLICK ON LINK
Ionic column from the Erechtheion. Notice the
Fluting on the column.
Fluting: a groove or set of grooves forming a surface
decoration.
Greek Furnishings
This Photo by Unknown Author is licensed under CC BY-SA
Klismos chair: An ancient form of chair that remains popular today. The Ancient Greeks first developed the chair as evidenced by pottery and stone from that period. It is characterized by tapering, out- curved legs, known as saber legs, and a curved back.
https://www.peacocksfinest.com/single-post/the-timeless-beauty-of-klismos-chair CLICK TO WATCH
https://www.lynn-byrne.com/posts/design-dictionary-klismos-chair
CLICK TO WATCH
I adore this chair. It is a timeless
piece and can easily take its place in any home décor.
Janet
Kline with table
Greek Furniture
Greek Pottery
https://www.youtube.com/watch?v=7lWyqbYITQw
Ancient Greek Pottery: History, Development and Designs
This Photo by Unknown Author is licensed under CC BY-NC-ND
Principle Greek Moldings

